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AMERICAN HI-FI AMERICAN
HI-FI March 24, 2010 -- AMERICAN HI-FI is ready to FIGHT THE FREQUENCY and back to their roots with their fourth studio album, due out June 22 on their own label, Hi-Fi Killers/The Ascot Club (through Megaforce/RED/Sony). It’s the highly anticipated follow-up to 2005’s HEARTS ON PARADE (Maverick). It was produced by singer/guitarist Stacy Jones and recorded at his studio in Los Angeles, The Deathstar. The first single and video, “Lost,” from the original line-up--Stacy Jones (singer/guitarist), Drew Parsons (bass), Jamie Arentzen (guitars) and Brian Nolan (drums)—will be released in the coming weeks. As Jones recently explained on Altpress.com: “I think we've circled back to the first record in terms of sonics and style. We've moved back to big, riff-driven guitar parts with melodies on top and a slightly harder edge.” Jones later added, “In the past, there was always the pressures and expectations that came from being on a record label. Now, we have the freedom to put the business aside and just play rock music like we always wanted!” So what’s the band been doing for the past five years? They’ve mostly been busy with Miley Cyrus. Singer Stacy Jones has been her music director and drummer, while Jamie Arentzen has been her guitarist. They’ve both been featured in everything and anything Miley Cyrus, including the 2009 movie and “Best Of Both Worlds” concert film/DVD. Jones has also produced records for artists such as Ingrid Michaelson, Meg & Dia, The Cab, Plain White T’s, and many others. Over the course of their 10-year career, American Hi-Fi has sold over 1 million albums thanks to hit singles such as the Top 10 smash “Flavor Of The Weak,” “Another Perfect Day” (which was used as Coca-Cola’s theme for the 2002 Winter Olympics) and “The Art Of Losing,” and they’ve toured the world with artists such as Elvis Costello, Matchbox Twenty, Bon Jovi and Fall Out Boy. Before teaming up as American Hi-Fi, the band members performed as part of various influential bands from the ‘90s Alternative Rock scene, including Veruca Salt and Letters to Cleo, and with Tanya Donelly, Tracy Bonham, Aimee Mann, and Juliana Hatfield individually. Their songs have been heard on TV shows and commercials such as Coors, Labatt Blue, Verizon, “Boston Public,” “24” and “Dawson’s Creek,” video games including “Guitar Hero 3,” and in movies including “American Pie 2,” “Freaky Friday,” “Van Wilder” and “Superman Returns.” Stay tuned for news
about upcoming U.S. tour dates. Here’s the complete track
listing for FIGHT THE FREQUENCY: 1. Acetate www.americanhi-fi.com CONTACT:
Amanda Cagan, ABC Public Relations, 818 990 6876, Amanda@abc-pr.com BIO Stacy
Jones (singer/guitarist)
That’s the first thing Stacy Jones will tell you about American Hi-Fi. The four-piece rock band, originally from Boston, now based in Los Angeles has been through a lot. Originally signed to Outpost/Interscope Records, which went under before the band finished recording their record, American Hi-Fi got signed again and released their self-titled debut album on Island Records in 2001. With help from legendary producer Bob Rock, the album went on to sell over 750,000 albums and spawned the major hit single, “Flavor of the Weak” as well as “Another Perfect Day”, which was used as the theme song for the 2002 Winter Olympics. The band spent the next 2 years touring non-stop with artists like Elvis Costello, Matchbox Twenty, Sum 41 and Bon Jovi. In 2003, Island released American Hi-Fi’s sophomore album - an edgy, angst driven rocker entitled, THE ART OF LOSING. Despite strong sales, the label dropped the band to focus on their “Emo” roster leaving American Hi-Fi for dead. The band persevered and made their next record on their own with producer Butch Walker. The result was HEARTS ON PARADE, a more lighthearted album which Maverick/Warner Bros. Records released in 2005. Another successful release, but this time the music industry was buckling and American Hi-Fi found itself without a home again. After 3 record releases with 3 different major labels, 6 years of constant touring and pressure to make a living as a band, the guys decided to take a break. Jones, who in another life was the drummer with Veruca Salt, Letters to Cleo, Aimee Mann and Tanya Donelly, decided to pursue another longtime passion, music production. He set up with studio partner Bill Lefler and within months had work lined up with Meg and Dia, Ingrid Michaelson and The Cab, while Epic Records tapped him as an in-house Producer/A&R Executive. While at the label, Jones connected with Miley Cyrus’ manager during a “TRL” performance. One thing led to another and Jones found himself appointed as Cyrus’ Musical Director, in charge of every aspect of her live and televised performances. He also took on the role as her drummer and hired American Hi-Fi’s Jamie Arentzen to play guitar. It may seem like a strange fit, but Stacy and Jamie felt very comfortable in the role. Jones says, “Miley is one of the most talented, hardest working artists I have had the chance to play with. It’s not easy keeping that kind of pace and I have a lot of respect for her. It is quite a contrast to the life of a rock-n-roll band though. Vans and trailers are traded for private jets; The Scottish Inn is swapped for The Four Seasons; CBGB suddenly becomes the Staples Center. At the end of the day, if we didn’t feel like she was the real deal, we wouldn’t be able to do this every night.” While Jones’ schedule is rigorous, he felt the calling for another American Hi-Fi record. “I have a lot of amazing things in my life, but I recently went through a really dark period personally. I realized that the one constant positive has been the music and the people I play with in American Hi-Fi. They are like brothers to me.” With original members drummer Brian Nolan and bassist Drew Parsons, the band started getting together for a week here or there, rehearsing, writing and recording their ideas straight to track, giving the recordings a live and very human feel. On writing, Jones feels that this record is the most close to home. “I found myself writing lyrics that reflected my own life more than I had in the past. Where I once hid behind vague concepts and cryptic lyrics, this time I poured my emotions and my own experiences into the music.” The resulting 13-track record titled FIGHT THE FREQUENCY, produced by Jones and Arentzen, returns the band to their rock roots and perfectly balances their ability to pen hooky rock songs with their raw, edgy sensibility. “Fight The Frequency” and “This is a Low” display that the band are still pound for pound heavyweights when it comes to cranking up the amps but it’s songs like “Lost” and “Where Love Is A Lie” which capture the heartache and growth that Jones has clearly gone through over the course of making this record. After meeting with numerous
record labels, major and indie, American Hi-Fi elected to create
their own label, called Hi-Fi Killers/The Ascot Club, through Megaforce/RED/Sony,
on which they will release FIGHT THE FREQUENCY on August
17th, 2010. Although Jones and Arentzen will continue to work with
Cyrus, the band has plans to tour for the first time in several
years. After playing a recent show in Boston, Jones says, “It
still feels like it did when we were in our rehearsal space in Boston.
We’re trying to make great rock music that we care about,
but not taking ourselves too seriously. I can’t wait to get
out on the road and tour again.” |
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